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The Wright Three
by 
Blue Balliett
Ellen Reilly
  
Publisher: Listening Library
Subject(s):  Fiction
Juvenile Fiction
Juvenile Literature
Language(s):  English
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Digital Rights Information

OverDrive WMA Audiobook
Burn to CD: Not permitted
 
Transfer to device: Permitted (3 times)
   Transfer to Apple® device: Permitted
 
Public performance: Not permitted
File-sharing: Not permitted
Peer-to-peer usage: Not permitted
 
All copies of this title, including those transferred to portable devices and other media, must be deleted/destroyed at the end of the lending period.
 

Format Information

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Available copies:  
Library copies:  
File size:   72217 KB
ISBN:   9780739345269
Release date:   Jun 27, 2006

Description

In this intricate, magnificently imagined sequel to Blue Balliett’s international bestseller, Chasing Vermeer, supersleuths Petra and Calder, along with Clader’s old friend, Tommy, are cryptically drawn into another art mystery – this time involving a Frank Lloyd Wright architectural masterpiece, the Robie House.

When the kids’ sixth-grade class attempts to save the Hyde Park landmark from demolition, eerie events are reported: Voices float out from within, shadows shift behind the art-glass windows, even the roof moves! Suddenly, a well-meaning art restoration project turns into a frightening search for ghosts, hidden treasure, and a coded message left behind by Wright. In this tangled web where life and art intermingle with death and danger, can the kids pursue justice and escape with their lives?"

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Jeanne DuPrau

Reviews

AudioFile Magazine...
What is art? Balliett's newest book asks listeners to ponder that question and whether Frank Lloyd Wright's Robie House is art. While Petra, Calder, and Tommy work to answer that question and to save the house from destruction, they slowly build a friendship, and a team. Ellen Reilly's reading is solid; her narrator is clear and builds the pace from the startling beginning through the mysterious happenings. Her character voices are distinct; although her male voices tend to sound forced, her female voices sound real. An occasional change in the production's balance doesn't distract but does break the flow of the narrative. W.L.S. (c) AudioFile 2006, Portland, Maine
 
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